The main motif in this professional work is performed in an unique position, which is on a medium level, with knees slightly bent. The spine is curved and hands are placed on the stomach with the elbows as far forward as possible, when this movement is performed, the dynamics are stiff and sustained. This movement is in contrast with the shape of an envelope, as it is curved whereas the envelope is very angular. There is a reoccuring phrase which is performed in the routine, which begins with an attitude pirouette, into a sweep of the leg, then a step forward into a double pirouette. This movement is executed on both legs, and is featured in the opening section,the ballet section and in the finale.The dynamics for this phrase are sharp,precise and strong. There is alot of action content in every section, for example, in the 'duo' section there is running,turns, pirouettes, hops on the leg whilst flicking the other leg, jumps,floorwork, spiral of the spine, and contact work. The contact work is where the one dancer runs and jumps in a cradle position but with bent legs and lands in the remaining dancers arms. The dynamics for this section are strong,bouncy,sharp, energetic,lively,jumpy,jerky and fast. The whole piece dynamics are sharp,strong and sustained, every movement is precise and accurate. There is alot of space used throughout this whole piece, there is general space used in both of the solo sections, in the duo section, the one dancer holds a position in the back left corner, whereas the other dance performs in the front right corner but moves in a circular pathway. In the 'Curiosity' section, the dancers perform in a circular formation in the center of the stage, there are four dancers around the outside, then two dancers in the middle one dancer on the others shoulders. The dynamics for this section are springy,bouncy,sharp,sustained and energetic. There are sections of the piece which it is visable that it has been influenced by another dance style, this is in the 'ballet' section, where the movements are similar to ballet movements. For example when the dancer has their arms bent at the elbows and the hands straight, which represents to 'swan' from Swan Lake, which is a very well known Ballet piece. There is alot of contact work in this routine, an example of this is in the 'effiency' and 'pass it on' sections where there is the passing of the envelope and where the two dancers crawl through each others legs. This movement of the crawling beneather the other dancers legs, could represent a letter in an evelope being taken out of the envelope, as it is replicating the same action. There are many different relationships during this piece, such as solo's, duo's and group works. There are also lots of choreographic devices used throughout this piece, such as:-
- Repetition- The main phrase which is repeated throughout the routine which was described previously.
- Contrasting movements- Where in the duo, the one dancer is holding a position, meanwhile the other dancer is participating in strenuous movements.
- Unison- In the curiousity section, where in the circle movements, every dancer performs at the same time.
- Canon- In the ballet section, where the 'ballet' dancer executes a movement, and then the four remaining dancers repeat the movement slightly after. And also in the pass it on section where the envelope in passed down in canon.
- Motif development- where two dancers come onstage during the efficiency section and repeat movements from the curiousity section, however this time the movements are faster and facing the back.
The facial expressions throughout this piece are more exaggerated because of the fact that the headress covers the majority of the face. However the facial expressions are very serious, but also curious and confused, this is portrayed well to the audience.
